Polaroids and their films

Girls love Pola's and I've sold a few over the past months. So I decided for the first time in my life to do the press-click-whirr routine (I've used peel apart about a hundred years ago for quick catalogue shots). 

Unfortunately that Impossible Project SX-70 Cold Tone Monochrome pack I bought (claimed New by seller) was impossibly weird. The middle third (vertical strip) was nice and cool but the thirds on either side were distincly brown. Worst rule of thirds I've seen! Dud film?! The 600 model that showed up gave me a chance to try colour for free but the film in it must have been waaaaay too old - dull and yellow orange. Ah well, at least I was able to check for function and focus!

SX-70 Sonar with working (!) auto focus on offer soon, with new leathers and tripod adapter.. One Step Express (600) too (built in flash) available now. SX-70 close-up set also available.


All Change! Feb. 2015

Earlier posts relate to my previous job as a reviewer of new digital cameras for Digital Photography and Design Magazine and for Australian Photography magazine and web site. From now onI'll be blogging here about some of the more interesting items to cross the shop counter, especially if I get the chance to use them. 


Nikon D4

Shooting with the beast at the moment. Nikon loaned me a D4 for a couple of weeks with the standard 24-70mm zoom and one of my favourite lenses, the 14-24mm. With the standards zoom and a flash on, the thing weighs around 3kg - a real arm killer. Amazingly, it is lighter than the D3. When the D3 came out in 2007, it was a real game changer. I doubt that the D4 will be that much of a shock to the system but it's pretty impressive.

Being a Canon shooter, I had some problems getting it set up he way I wanted but as usual, using a top of the line pro cam like this is a joy. Everything is fast and precise. I prefer a Canon I'm afraid but that's probably because i'm used to them. I had trouble with the focus point wandering all over the place for instance until I learned how to lock it. 

There's a different tonality to the images to what I saw in the D3's. The typical result with default setting and Picture control set to the standard setting seems softish but high resolution and sharpens up well in Lightroom. Interesting.


Fuji X-Pro 1

I interviewed Michael Coyne about his experiences with the new Fuji lust object. Michael is a world renowned documentary photog. and one of the first in the world to test the beast. He no longer had the camera (damn) but I've got a strange feeling that there may be one in my future sometime!

Michael got hit with trolls on DP Review rather badly - claims that he cheated the high ISO result and was working as a shill for Fuji. Obnoxious stuff - who are these cretins and why are they allowed to have computers?

See the full article and conversation at -


Olympus OM-D -  E-M5

Olympus flew me up to Sydney on the 8th Feb. for the launch of their new flagship camera. They declared their intention to produce a professional quality micro Four Thirds camera about 18 months ago so the wait has been long and loaded with speculation. All we knew was that the new unit would be inspired by the original OM range of the 1970's. So, first a little history.

The OM1 was a landmark camera of the early 1970's. Until that time SLR's had been pretty hefty but the OM was designed by Maitani at Olympus to be lightweight, compact and high quality. Even the lenses were quite tiny compared to the opposition. It was so significant that almost all the other manufacturers had produced a similar compact within a couple of years. But Olympus still remained a niche player - it never seemed to grab the large chunk of the market that many believed they deserved.

The new OM-D is directly inspired by the OM. There are obvious design links to both the OM and the recent E-P* series. It is tiny, so much so that I'd immediately bolt on the vertical grip, or at least the grip only part of the vertical/battery grip. (It's a unique two piece - brilliant). It's 16mp, probably relying on the recent Panasonic LiveMOS sensor although they claim that they've tweaked it for improved performance. The silver (not chrome!) or black body is weathersealed and so is the new 12-50mm kit lens. Focus is contrast detect type and claimed to be the fastest around, with the new lenses. Other points of note are the tilt OLED display and the new 5 axis image stabiliser.

This is a significant camera. It's not the first miniature SLR of course - both Panasonic and Samsung have been there already (and Pentax too many, many years ago with the tiny 110 film system). But it is the first to be presented as a serious system camera with some professional credentials. No pro will use one of course, except for personal projects. Clients expect you to turn up with a big, black Canikon and part of business is meeting client expectations. But it is a very significant attempt to bring the new mirrorless compacts into the realm off 'proper' cameras and more power to them. I suspect I may end up with one of these, along with many of my old OM fans.